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Anna Sofie Mathiasen stiller ut på Institut Valencià d'Art Modern
"OPEN CREATION AND ITS ENEMIES: Asger Jorn in situation" åpner 16. februar kl. 19
"Presentation by Ellef Ellef Prestsæter, exhibition curator; Jacob Thage, director of the Museum Jorn; and Nuria Enguita, director of the IVAM, in the company of the artists Michael Murtaugh and Nicolas Malevé (Institute for Computational Vandalism) and Anna Sofie Mathiasen.
Open Creation and Its Enemies: Asger Jorn in situation presents the singular trajectory of the Danish artist Asger Jorn (1914–1973), a founding member of avant-garde movements such as Cobra and the Situationist International. While often acclaimed as an extraordinary painter, the exceptional range of Jorn’s practice merits a broader exploration. Open Creation and Its Enemies makes legible the experimental parameters of Jorn’s multifarious activities, charting his exits from, as well as his returns to, painting.
The exhibition includes commissioned works by Danish artist Anna Sofie Mathiasen as well as by the Institute for Computational Vandalism, who have been invited to engage with Jorn’s legacy from a contemporary perspective. Developed in close collaboration with the Museum Jorn in Silkeborg and curated by Norwegian art historian Ellef Prestsæter, the exhibition is accompanied by a comprehensive book featuring translations of canonical and hitherto unpublished texts by Jorn as well as new perspectives on his practice."
Anna Sofie Mathiasen, stillbilde fra Selvfølgeligheden, 2023 -
In Situ Klosterenga - Et kuratert sideprogram
I månedene frem mot åpning vil Oslo kommunes kunstsamling gjennom en rekke faglige arrangement løfte frem Klosterenga park og den kompleksiteten som ligger i dette prosjektet. Under tittelen In Situ Klosterenga har vi kuratert et eget sideprogram som vil belyse parkens mange historier og tverrfaglige tilnærming. Dette vil være en formidlingssatsning med det mål å øke kunnskapen om Klosterenga park spesielt, der vi samtidig undersøker ulike problemstillinger knyttet til vårt fagfelt generelt.
Klosterenga park Foto: Ingvild Brekke Myklebust -
Arkaiske former og monumentale format - Et portrett av Kristian Blystad
Arkaisk er et stadig tilbakevendende ord anvendt i beskrivelsen av Kristian Blystads (1946) kunstnerskap. En arkaisme er et trekk eller en retning som etterligner en gammeldags stil eller uttrykksmåte, og Blystads arketypiske billedhoggersignatur er forankret i grunnleggende urformer, enten det er i legemsutsnitt av torsoen eller i gjengivelse av fabulerende natur- og dyreformer.
Kristian Blystad Foto: Ingvild Brekke Myklebust -
Stian Ådlandsvik åpner utstilling på Van Etten, fredag 27. januar kl.19
Peel
Stian Ådlandsvik
27.01-12.02.23
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Franz Gertsch (1930-2022)
With great sadness we announce that the great painter and printmaker Franz Gertsch passed away 21 December at the age of 92.
Franz Gertsch, Winter, 2016, woodcut, 215 x 276 cm, impression no. 17 -
Else Marie Hagen utstiller på 222T
222T
ATOPIAN HABITAT Volume 2
Felles rød by Else Marie Hagen
November 10 - December 11
Saturday and Sunday 1-4 pm
Myntgata 2, 2.etg #222
#twotwentytwotemporary
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Permanent installation by Darren Almond at the new Bond Street Station, London
"The new station contains three artworks by British artist Darren Almond: ‘Horizon Line’, ‘Shadow Line’ and ‘Time Line’. The artworks resemble the embossed metal nameplates that were affixed to early British locomotives and were made by the same heritage sign company that made many of the boilerplates for locomotives of the past. ‘Horizon Line’ consists of 144 individual hand-polished tiles echoing paths of travellers as they descend underground whilst ‘Shadow Line’ and ‘Time Line’ are train boiler plates bearing poetic phrases ‘REFLECT FROM YOUR SHADOW’ and ‘FROM UNDER THE GLACIER’ respectively. The three abstract artworks will be found on the ceiling and around the western ticket hall of the Elizabeth line station".
Darren Almond, Horizon Line (Bond Street Tube Station), 2020. Photo: GG Archard, Crossrail, 2022. -
Works by Andreas Gursky and Mikkel McAlinden on view at Whitechapel Gallery, London
August 20, 2022 - January 2, 2023
Mikkel McAlinden and Andreas Gursky are part of the exhibition Tracing Absence at Whitechapel Art Gallery, London, a group show with works selected from the Christen Sveaas Art Foundation.
Andreas Gursky, Symex Singapore, 1999, C-print, 176 x 276 cm -
Are Blytt har laget et silketrykk i samarbeid med 10/10 til utstillingen SOFT RETROSPECTIVE
Are Blytt, LIV, 2022, silketrykk, 51 x 51 cm, opplag: 20 + 2 AP.
Trykket er tilgjengelig på Galleri K og 10-10.no
Are Blytt, Liv, 2022, silkscreen, 51 x 51, edition of 20 -
Kjell Bjørgeengen viser video på Kafé Hærverk
9.10.2022
Inga Margrethe Aas, Espen Reinertsen og Kjell Bjørgeengen improviserer på henholdsvis gambe, sax/elektronikk og video på Kafé Hærverk søndag 9. oktober 2022 kl. 19.
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Silje Linge Haaland stiller ut på på Munchmuseet
01.10.2022 – 11.12.2022
Silje Linge Haaland deltar i den første utgaven av Munch Triennale, Maskinen er oss, med en lyd- og videoinstallasjon, i tillegg til to skulpturer.
"Haaland sine tre verk inngår i et felles univers der bilder vandrer sømløst gjennom ulike medier, fra video til skulptur. I Det er så vidt dette er en morgen har kunstneren innfelt brukte SIM-kort i en avkappet trestamme, noe som kobler SIM-kortenes minne sammen med trærnes årringer og spor av tid. I lyd- og videoinstallasjonen Den løse delen av verden setter Haaland sammen biter fra et enormt arkiv av egne opptak og funnet materiale inn i nye sammenhenger. Sammen danner lyd og videobildene en komposisjon, som kan oppleves som et «stammende øye» som famler etter felleskap og forståelse i en fragmentert virkelighet. Glasskulpturen Hadde vi bare kunnet lene oss tilbake mot noe ennå ikke her speiler elementer fra videoen, som fremstår som om de er frosset i tid."
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Candida Höfer: Liechtenstein
Liechtenstein in Dialogue with the Collections of Kunstmuseum Liechtenstein and the Hilti Art Foundation 30.9.2022 – 10.4.2023
"For the first time, Kunstmuseum Liechtenstein and the Hilti Art Foundation are presenting a jointly conceived, integrated exhibition.
The focus is on Candida Höfer's photographs, which she has created especially for this show. She mostly photographed the subjects with a large-format digital camera at various locations in Liechtenstein: interior and exterior views of the museums' architecture, libraries or storage, which serve cultural purposes in both narrow and broad senses. In this way they form part of the groups of subjects for which Höfer has become known. Her photographs are juxtaposed in a dialogue with selected artworks from the two collections.
An acclaimed artist and a member of the Düsseldorf 'Becher School', Höfer (b. 1944), has previously created a number of site-specific groups of images, for example in Brussels or Düsseldorf; her series created in and for Liechtenstein continues this tradition.
A production of Kunstmuseum Liechtenstein and the Hilti Art Foundation curated by Christiane Meyer-Stoll, Letizia Ragaglia and Uwe Wieczorek."Candida Höfer, Kunstmuseum Liechtenstein Vaduz VII 2021 © Candida Höfer, Cologne / 2022, ProLitteris, Zurich
